Eri, can be adjusted to suit the wearer, such as pulling it back so that the nape of the neck can be more sensuously revealed.
Ushiro-migoro, and their stunning designs, will be emphasized throughout this exhibition.
Sode, are made up of multiple parts, and the lengths can signify one’s status, such as younger, unmarried women wearing longer sleeves.
Okumi, are added to make the front wider than the back, creating the wrap-around style of the garment, which allows for ease of movement.
Thehe term kimono, meaning “thing to wear,” was first adopted in the mid-19th century. Originally worn by commoners, or as an undergarment by the aristocracy, from the 16th century, the kimono became the principal item of dress for all classes and both sexes. It remains an enduring symbol of Japanese culture today.
Kimono are straight-seamed garments that are made from single bolts of cloth cut into seven straight pieces: two panels extending up the front, over the shoulder, and down the back—to create the body; two for the sleeves; two for the overlaps; and a narrower panel for the neckband. They are worn wrapped left side over right and secured with a sash called an obi.
In the weeks ahead, we’ll explore the different styles of kimono.
The main style of kimono is known as kosode (literally “small sleeves”), a short-sleeved kimono. From this type, there are variations, two of which will appear throughout this virtual exhibition:
Furisode (literally “swinging sleeves”), a long-sleeved kimono worn by young, unmarried women.
Uchikake, a kimono reserved for the formal wedding ceremony or the reception festivities.